| Date | Details |
| |
| Published work |
| 2017 | Stories of Collaborative Making: Two Rochdale Quilts – Quilt Studies Journal |
| 2020 | Mrs Scales Autograph Cloth – Text, the Journal of the Textile Society |
| 2021 | Threads of Identity – Journal of Arts and Communities (2021) |
| 2022 | Crafting with a purpose: how the ‘work’ of the workshop makes, promotes, and embodies well-being, co-authored with Professor Fiona Hackney – Journal of Applied Arts and Health |
| 2025 | Connecting Threads. Pub Quickthorn Press |
| |
| Forthcoming publications |
| 2025 | An Embroidered Elegy. International Handbook of Creative Methods and Heritage Routledge |
| 2025 | Stitching a Covid-19 transgression: Dominic Cummings in Barnard Castle (2020) in Global Craftivism, ed Hinda Mandell |
| |
| Articles & Conference papers |
| 2022 | Creativity and Mental Health, Dr Guslain Museum, Ghent Belgium |
| 2019 | ICOM annual conference, Kyoto, Japan |
| 2019 | Mapping Contemporary Arts and Heritage, University of Newcastle |
| 2018 | Craft and Text, University for the Creative Arts, Farnham, Surrey |
| 2018 | Arts and Heritage, Manchester School of Art |
| 2016 | Stories of Collaborative Making: Two Rochdale Quilts with Alison Slater, in Quilt Studies Journal |
| 2016 | Review of The Event of the Thread by Hannah Leighton Boyce in Journal of Modern Craft |
| 2015 | Keynote presentation at Making and Mending, the IQSC, international symposium, Lincoln, Nebraska, USA |
| 2012 | Signature Cloths; Social Networking old and new. “Bengal to Baltimore” De Witt Museum, Williamsburg VA, USA |
| 2012 | Signature Cloths as Social Engagement The Arts in Society, John Moores University, Liverpool |
| 2012 | Cultural Heritage using Quiltmaking The Association of Social Anthropologists Annual Conference, Delhi |
| |
